retromind男裝怎麼樣

❶ 有沒有英文歌onemoretroble

Baby take off ur coat
Tell me all about ur day

And if u feel a little stressed

I can take the pain away

If there 's something that U r down about

Let me be ur confidence

I 'll give a perfect medicine

So come on and drag me up

And I know sometimes

U R gonna be a little wife *
But I promise

I 'll be there when u get home

Let me sing ya to sleep
I 'ma sing ya to sleep

Lay ur head on the pillow

Let me sing ya to sleep
I 'ma sing ya to sleep

Baby let me ease ur mind
I 'ma sing ya like ...nah ~~~la ~~

Nah ~~~

Let me sing ya like ....nah ~~~la ~~

Nah ~~~

Forget about the ninety-five

Pop bottle of shot of night*

We can watch a little TV

And left the whole night awake *

If there 's something that is on ur mind
We can leave it all behind

Tonight we 'll be on and get away *

Just two of us

And I know sometimes
U're gonna feel like give it up
But together we will make it through the day

And I 'll sing ya ,I 'll sing ya to sleep
I 'ma sing ya to sleep

Lay ur head on the pillow 'll sing ya to sleep
I 'ma sing ya to sleep
I 'ma sing ya to sleep
Baby let me ease ur mind

Sing me like ..nah ...la ~~
Nah ~

Let me sing ya like ..nah ...la~~

Nah ~

U can lay down by my side
I will hold u tight

Never ever ever let u go

Put ur worry and sad aside and I 'ma make it done alright *
Baby let me ease ur mind

If u got someone that u love like ###U think suit a bit *
Tell 'em that u love a real peace

And if u got someone that u love ###a bit

Tell 'em that u love a ...
'Cuz I 'ma sing ya ,I'ma sing ya to sleep
I 'ma sing ya to sleep
Lay ur head on the pillow
Let me sing ya to sleep

I 'ma sing ya to sleep

Baby let me ease ur mind

Let me sing ya like nahh..la~~
Nah

Let me sing ya like ...nah
Nah

❷ —— I hope you won"t mind me point your mistake. ——______________________

never mind
it's all right
that's ok

❸ retromind是什麼檔口

排當」被引進到民間，成為簡易、廉價、大眾消費的形式。由於經常設在街邊，擺有大量桌椅，同時廣東人常稱攤位為「檔」或「檔口」，也進而轉變為「排檔」了。

❹ 木九十眼鏡是mind in 日本嗎 還是就借個日本牌子 其實是中國做的求此品牌詳細說明

木九十和佐川藤井一樣，借個日本牌子，其實是廣東做的，不過款式和做工確實不錯，價格也不貴，上海有專門賣這樣眼鏡的連鎖店，比如YOOFACE時尚眼鏡坊，有官網的

❺ 請問研究生考試復試英語聽力口語，怎麼復習

復試面試一般包括綜合面試，專業課相關知識面試，綜合面試里也是有英語部分的，有的學校先進行英語聽力測試，然後在綜合面試里順便考察了英語口語。部分院校和專業，像醫學類，還會涉及實操考察。
考研復試英語部分的口語和聽力對很多人來說是有難度的，因此要提前做好備考准備，我們有安排關於復試提升英語口語聽力的小課大家可以去官網查看獲取方式。
關於考研復試英語應該如何備考，下面分享一些方法經驗給大家：

1.口語考查要點
復試口語主要考查的是Fluency and coherence(流利與連貫性)，Pronunciation(語
音)，Lexical
resources(詞彙量)，和Grammaticalrange(語法)這四個方面。換言之，正確的語音和語調，詞彙和語法的准確和靈活性，話語的內容及流利度以及互動交流的能力是整個面試環節中在表述時要注意到的要點。
面試老師在評價成績時一般分為四個級別：
A.優秀(能用外語就指定的話題進行口頭交流，基本沒有困難);
B.良好(能用外語就指定的題材進行口頭交流，雖有些困，但不影響交流);
C.及格(能用外語就指定的話題進行簡單的口頭交流);
D.不及格(不具有口頭表達能力)
從上面的評價級別來看，復試口語在考查上相對來講不是特別苛刻。也就是說，面試老師不會太為難考生。
考研英語口語：經典面試問題總結
考研英語面試中，在自我介紹完結束後，老師就會開始問你問題。在回答過程中要結合自己的經歷和見解來准備答案，讓自己回答的問題和整個的自我介紹融為一個整體。在每一年的面試中都會有很多相同的問題，這些問題看起來很平常，卻有很多陷阱，一不小心就會被考官抓主「小辮子」了。回答這些常見的看起來很平常的問題，也是要有技巧的。
2.聽力考試模式
通過分析多所高校歷年的復試模式，並結合各高校聽力復試命題方式與特點，可以將聽力復試分為四種典型模式
(1)聽力半主觀題為主
這一模式的聽力題型與2002-2004一直採用的考研題型相似，即以半主觀題為主，題型包括填表題和簡答題。
(2)聽力客觀題為主
此模式的特點是聽力題型主要採用大學英語四六級考試的聽力題型，以客觀題為主，題型主要包括短對話，長對話，短文理解等。
(3)聽說一體
與前兩種模式相比較，這一模式最大的不同在於聽力和口語圍繞同一材料進行，即讓考生先聽一段錄音材料或由考官閱讀一段材料，要求考生在掌握此材料的基礎上進行口語交談。由於考官所提問題與該材料相關，所以還要求考生在理解材料的基礎上進行必要的思考，發表自己的觀點。如果聽不懂錄音或朗讀材料，則會影響口語成績。
(4)不考聽力
大綱改革之後，各招生院校在考試形式方面有了很大的自主決策權。就聽力測試而言，部分院校並不作單獨測試，這類院校在面試環節以口試為主，綜合考查考生的聽說能力。
英語聽力部分，大多數學校都以現有的成型考試為參考。考生在准備聽力復試的過程中，對於現有的成熟英語考試的聽力部分一定要重視，比如六級聽力、托福聽力和雅思聽力，在復習時可以有針對性地做一些六級或托福聽力或雅思聽力的試題。平時大量聽力練習的空隙，覺得做題枯燥了，收聽一下英語新聞，看看發音清晰的英文影片，在放鬆欣賞的同時又培養了語感，可謂一舉兩得。

❻ Retro的《Beat It》 歌詞

歌曲名:Beat It
歌手:Retro
專輯:Mastercuts Lifestyle Presents Nu Soul Jazz

BoA - Nan (beat it!)
Hangsang nor guriwohedon nur nunmur punidon
ne chorahejin mosubur bwasso
ijenun doisang noui dwie issodon
gute nega anya
gakum shigun norur darmaborin
ne mosubi nar himrge hejiman
monge byonhesso ije doisang nan
nimosub jocha to oruji anha
Nan~ nan noui nunbiddo nan noui hyangido
nan mo jiwosso donun dagaoryo hajima
ijen arsu isso nan niga obnun sesangdo
hengboghar su idangor (nan ijen)
Oren shigani hullodo nar borsun obso nan
imi byonheboryosso
gakumshigun niga namgigo gan
uri chuogi nar himrge hejiman
monge byonhesso gu chuog jochado
ne giogsogeso ijyojirkoya
Nan~ nan noui nunbiddo nan noui hyangido
nan mo jiwosso donun dagaoryo hajima
ijen arsu isso nan niga obnun sesangdo
hengboghar su idangor (nan ijen)
Nan~ nan noui nunbiddo nan noui hyangido
nan mo jiwosso donun dagaoryo hajima
ijen arsu isso nan niga obnun sesangdo
hengboghar su idangor (nan ijen)
ooh ooh baby! I want you back
and all of that still ride high
when I catch a contact
never mind what I said here to find my way back
from the dead oh how your groove
still lingers bob my head to your cruves
to the touch of your fingers
I be this here rap singer with one last beath
left to bring her back
I'm knowing the odds be stacked
but ain't no doubt we're still a match
Nan~ nan noui nunbiddo nan noui hyangido
nan mo jiwosso donun dagaoryo hajima
ijen arsu isso nan niga obnun sesangdo
hengboghar su idangor (nan ijen)

http://music..com/song/7874835

❼ rocoretro是哪裡的牌子

ROTHCO這個牌子是來自韓國的一個品牌。

相信大家都不陌生，在韓國年輕人可以說是人手一條了，泫雅也穿過，ROTHCO，成立於1953年，50年來一直致力於戶外裝備產品的研製與開發。該公司的產品一直以質優價廉，快速的運輸服務而被廣大愛好者所喜愛。

1990年該公司產品首次登陸我國，是進入大陸第一個知名戶外產品品牌。ROTHCO是美國戶外產品的最大批發供應商。

在所有全方位服務的戶外用品供應商中，只有ROTHCO提供超過3300種特殊用途和戶外產品，ROTHCO有各種類型產品，例如安全類、戶外類、屏幕列印、經銷制服、時尚產品運動裝商店。

近五十年來，ROTHCO主要服務於美國獨立的多功能戶外服飾的轉讓商店，但近幾年來該公司已經將客戶及產品群擴大，包括了很多運動休閑裝，男裝的，女裝的，童裝的，且25%的銷售已擴及到海外客戶。

公司創立伊始，主要是經營美軍戰後剩餘物資的批發業務，一年後，隨著業務的增加，創始人的兒子霍華德• 松貝里(Howard Somberg)隨即加入了公司的管理層，可以說，Rothco是一個典型的家族產業。

❽ 自由女神像的起源，來歷等故事，英文如何翻譯的

Statue of Liberty
Liberty Enlightening the World (La liberté éclairant le monde), known more commonly as the Statue of Liberty, is a statue given to the United States by France in 1885, standing at Liberty Island in the mouth of the Hudson River in New York Harbor as a welcome to all visitors, immigrants, and returning Americans. The copper statue, dedicated on October 28, 1886, commemorates the centennial of the United States and is a gesture of friendship between the two nations. The sculptor was Frederic Auguste Bartholdi. Alexandre Gustave Eiffel, the designer of the Eiffel Tower, engineered the internal structure. Eugène Viollet-le-Duc was responsible for the choice of copper in the statue's construction and adoption of the Repoussé technique.

The statue depicts a woman, standing upright, dressed in a flowing robe and a spiked crown, holding a stone tablet close to her body in her left hand and a flaming torch high in her right hand. The statue is made of verdigris copper with the exception of the flame of the torch, which is coated in gold leaf. It stands atop a rectangular stonework pedestal, itself on an irregular eleven-pointed star foundation. The statue is 151 feet, 1 inch tall, with the foundation adding another 154 feet. The tablet contains the text "July IV MDCCLXXVI", commemorating the date of the United States Declaration of Independence. The interior of the pedestal contains a bronze plaque inscribed with the poem The New Colossus by Emma Lazarus.

The Statue of Liberty is one of the most recognizable icons of the U.S. worldwide,[1] and, in a more general sense, represents liberty and escape from oppression. The Statue of Liberty was, from 1886 until the Jet age, often the first glimpse of the United States for millions of immigrants after ocean voyages from Europe. In terms of visual impact, the Statue of Liberty appears to draw inspiration from il Sancarlone or the Colossus of Rhodes.

History
Discussions in France over a suitable gift to the United States to mark the Centennial of the American Declaration of Independence were headed by the politician and sympathetic writer of the history of the United States, Édouard René Lefèvre de Laboulaye. French sculptor Frederic Auguste Bartholdi was commissioned to design a sculpture with the year 1876 in mind for completion. The idea for the commemorative gift then grew out of the political turmoil which was shaking France at the time. The French Third Republic was still considered as a "temporary" arrangement by many, who wished a return to Monarchism, or to some form of constitutional authoritarianism which they had known under Napoleon. The idea of giving a colossal representation of republican virtues to a "sister" republic across the sea served as a focus for the republican cause against other politicians.

Various sources cite different models for the face of the statue. One indicated the then-recently widowed Isabella Eugenie Boyer, the wife of Isaac Singer, the sewing-machine instrialist. "She was rid of the uncouth presence of her husband, who had left her with only his most socially desirable attributes: his fortune and... his children. She was, from the beginning of her career in Paris, a well-known figure. As the good-looking French widow of an American instrialist she was called upon to be Bartholdi's model for the Statue of Liberty." [2] Another source believed that the "stern face" belonged to Bartholdi's mother, Charlotte Bartholdi (1801-1891), with whom he was very close. [3] National Geographic magazine also pointed to his mother, noting that Bartholdi never denied nor explained the resemblance. [4] The first model, on a small scale, was built in 1870. This first statue is now in the Jardin Luxembourg in Paris.

While in a visit to Egypt that was to shift his artistic perspective from simply grand to colossal, Bartholdi was inspired by the project of Suez Canal which was being undertaken by Count Ferdinand de Lesseps who later became a life-long friend to him. He envisioned a giant lighthouse standing at the entrance to Suez Canal and drew plans for it. It would be patterned after the Roman goddess Libertas, modified to resemble a robed Egyptian peasant, a fallaha, with light beaming out from both a headband and a torch thrust dramatically upward into the skies. Bartholdi presented his plans to the Egyptian Khediev, Isma'il Pasha, in 1867 and, with revisions, again in 1869, but the project was never commissioned.[5], [6]

It was agreed upon that in a joint effort the American people were to build the base, and the French people were responsible for the Statue and its assembly in the United States. However, lack of funds was a problem on both sides of the Atlantic. In France, public fees, various forms of entertainment, and a lottery were among the methods used to raise the 2,250,000 francs. In the United States, benefit theatrical events, art exhibitions, auctions and prize fights assisted in providing needed funds. Meanwhile in France, Bartholdi required the assistance of an engineer to address structural issues associated with designing such a colossal copper sculpture. Gustave Eiffel (designer of the Eiffel Tower) was commissioned to design the massive iron pylon and secondary skeletal framework which allows the Statue's copper skin to move independently yet stand upright. Eiffel delegated the detailed work to his trusted structural engineer, Maurice Koechlin.

On June 30, 1878, at the Paris Exposition, the completed head of the statue was showcased in the garden of the Trocadéro palace, while other pieces were on display in the Champs de Mars.

Back in America, the site, authorized in New York Harbor by Act of Congress, 1877, was selected by General William Tecumseh Sherman, who settled on Bartholdi's own choice, then known as Bedloe's Island, where there was already an early 19th century star-shaped fortification.

Bartholdi's design patentOn February 18, 1879, Bartholdi was granted a design patent, U.S. Patent D11023, on "a statue representing Liberty enlightening the world, the same consisting, essentially, of the draped female figure, with one arm upraised, bearing a torch, and while the other holds an inscribed tablet, and having upon the head a diadem, substantially as set forth." The patent described the head as having "classical, yet severe and calm, features," noted that the body is "thrown slightly over to the left so as to gravitate upon the left leg, the whole figure thus being in equilibrium," and covered representations in "any manner known to the glyptic art in the form of a statue or statuette, or in alto-relievo or bass-relief, in metal, stone, terra-cotta, plaster-of-paris, or other plastic composition."[7]

Fundraising for the pedestal, led by William M. Evarts, was going slowly, so Joseph Pulitzer (who established the Pulitzer Prize) opened up the editorial pages of his newspaper, The World, to support the fund raising effort. Pulitzer used his newspaper to criticize both the rich, who had failed to finance the pedestal construction, and the middle class who were content to rely upon the wealthy to provide the funds[citation needed]. Pulitzer's campaign of harsh criticism was successful in motivating the people of America to donate. (It also promoted his newspaper, which purportedly added ~50,000 subscribers in the course of the statue campaign effort.)

Financing for the pedestal, designed by American architect Richard Morris Hunt, was completed in August 1884. The cornerstone was laid on August 5, and pedestal construction was finished on April 22, 1886. When the last stone of the pedestal was swung into place the masons reached into their pockets and showered into the mortar a collection of silver coins.

Built into the pedestal's massive masonry are two sets of four iron girders, connected by iron tie beams that are carried up to become part of Eiffel's framework for the statue itself. Thus Liberty is integral with her pedestal.

The Statue was completed in France in July, 1884 and arrived in New York Harbor on June 17, 1885 on board the French frigate Isere. To prepare for transit, the Statue was reced to 350 indivial pieces and packed in 214 crates. (The right arm and the torch, which were completed earlier, had been exhibited at the Centennial Exposition in Philadelphia, Pennsylvania in 1876, and thereafter at Madison Square in New York City.) The Statue was re-assembled on her new pedestal in four months' time. On October 28, 1886, the Statue of Liberty was dedicated by President Grover Cleveland in front of thousands of spectators. (Ironically, it was Cleveland who, as Governor of the State of New York, had earlier vetoed a bill by the New York legislature to contribute $50,000 to the building of the pedestal.) [8] In any event, she was a centennial gift ten years belated.

The Statue of Liberty was a real lighthouse from 1886 to 1902 ([2] [3]). At that time the US Lighthouse board was responsible for its operation. In fact there was a lighthouse keeper and the electric light could be seen for 24 miles (39 km) at sea. There was an electric plant on the island to generate power for the light.

In 1916, the Black Tom Explosion caused $100,000 worth of damage to the statue, embedding shrapnel and eventually leading to the closing of the torch to visitors. The same year, Gutzon Borglum, sculptor of Mount Rushmore, modified the original copper torch by cutting away most of the copper in the flame, retrofitting glass panes and installing an internal light[citation needed]. After these modifications, the torch severely leaked rainwater and snowmelt, accelerating corrosion inside the statue. President Franklin D. Roosevelt rededicated the Statue of Liberty on its 50th anniversary (October 28, 1936).

As with all historic areas administered by the National Park Service, Statue of Liberty National Monument, along with Ellis Island and Liberty Island, was listed on the National Register of Historic Places on October 15, 1966[citation needed].

In 1984, the Statue of Liberty was added to the World Heritage List. [9]

[edit] Origin of the copper
Historical records make no mention of the source of the copper used in the Statue of Liberty. In the village of Visnes in the municipality of Karmøy, Norway, tradition holds that the copper came from the French-owned Visnes Mine.[10][11] Ore from this mine, refined in France and Belgium, was a significant source of European copper in the late nineteenth century. In 1985, Bell Laboratories used emission spectrography to compare samples of copper from the Visnes Mines and from the Statue of Liberty, found the spectrum of impurities to be very similar, and concluded that the evidence argued strongly for a Norwegian origin of the copper.

[edit] Liberty Centennial
This section does not cite its references or sources.
You can help Wikipedia by introcing appropriate citations.
The Statue of Liberty was one of the earliest beneficiaries of a cause marketing campaign. A 1983 promotion advertised that for each purchase made with an American Express card, American Express would contribute one penny to the renovation of the statue. The campaign generated contributions of $1.7 million to the Statute of Liberty restoration project. In 1984, the statue was closed so that a $62 million renovation could be performed for the statue's centennial. Chrysler chairman Lee Iacocca was appointed by President Reagan to head the commission overseeing the task (but was later dismissed "to avoid any question of conflict" of interest).[12] Workers erected scaffolding around the statue, obscuring it from public view until the rededication on July 4, 1986. Inside work began with workers using liquid nitrogen to remove seven layers of paint applied to the interior of the copper skin over the decades. That left two layers of tar originally applied to plug leaks and prevent corrosion. Blasting with baking soda removed the tar without further damaging the copper. Larger holes in the copper skin had edges smoothed then mated with new copper patches.[citation needed]

Each of the 1,350 shaped iron ribs backing the skin had to be removed and replaced. The iron had experienced galvanic corrosion wherever it contacted the copper skin, losing up to 50% of its thickness. Bartholdi had anticipated the problem and used an asbestos/pitch combination to separate the metals, but the insulation had worn away decades before. New bars of stainless steel bent into matching shapes replaced the iron bars, with Teflon film separating them from the skin for further insulation and friction rection. Liquid nitrogen was again introced to parts of the copper skin in a cryogenics process which was treated by a (now defunct) Michigan company called CryoTech[citation needed] to ensure certain indivial parts of the statue were strengthened and would last longer after installation.

The internal structure of the upraised right arm was reworked. The statue was erected with the arm offset 18" (0.46 m) to the right and forward of Eiffel's central frame, while the head was offset 24" (0.61 m) to the left, which compromised the framework. Theory held that Bartholdi made the modification without Eiffel's involvement after seeing the arm and head were too close. Engineers considered reinforcements made in 1932 insufficient and added diagonal bracing in 1984 and 1986 to make the arm structurally sound.

[edit] New Torch

Original torch, replaced in 1986.A new torch replaced the original, which was deemed beyond repair because of the extensive 1916 modifications. The 1886 torch is now located in the monument's lobby museum. The new torch has gold plating applied to the exterior of the "flame," which is illuminated by external lamps on the surrounding balcony platform. Upgraded climate control systems and two elevators (one to the top of the pedestal and a small emergency elevator to the crown) were added. The Statue of Liberty was reopened to the public on July 5, 1986.

[edit] After 9/11
Until September 11, 2001, the interior of the statue was open to visitors. They would arrive by ferry and could climb the circular single-file stairs (limited by the available space) inside the metallic statue, exposed to the sun out in the harbor (the interior reaching extreme temperatures, particularly in summer months), and about 30 people at a time could fit up into her crown. This provided a broad view of New York Harbor (she faces the ocean, and France) through 25 windows, the largest approximately 18" (46 cm) in height. The view did not, therefore, include the skyline of New York City, however. The wait outside regularly exceeded 3 hours, excluding the wait for ferries and ferry tickets.

Liberty Island closed on September 11, 2001; the islands reopened in December, and the statue itself reopened on August 3, 2004. Currently, the museum and ten-story pedestal are open for visitation. The interior of the statue remains closed, although a glass ceiling in the pedestal allows for views of Eiffel's iron framework.

Visitors to Liberty Island and the Statue are currently subject to restrictions, including personal searches similar to the security found in airports.

That was not the first time, however, that the Statue of Liberty had been threatened by terrorism. On February 18, 1965, the Federal Bureau of Investigation (FBI) announced it had uncovered a plot by three commandos from the Black Liberation Front, who were connected to Cuba, and a female co-conspirator from Montreal seeking independence for Quebec from Canada, who were sent to destroy the statue and at least two other national shrines - the Liberty Bell in Philadelphia and the Washington Monument in Washington, D.C.

In June 2006, a bill, S. 3597, was proposed in Congress which, if approved, could re-open the crown and interior of the Statue of Liberty to visitors. Approval or disapproval of this bill will probably occur in early- to mid-2007.[13]

On August 9, 2006 National Park Service Director Fran Mainella, in a letter to Congressman Anthony Weiner of New York stated that the crown and interior of the statue would remain closed indefinitely. The letter stated that "the current access patterns reflect a responsible management strategy in the best interests of all our visitors.".[14]

[edit] Jumps
At 2:45 p.m. on February 2, 1912, steeplejack Frederick R. Law successfully performed a parachute jump from the observation platform surrounding the torch. It was done with the permission of the army captain administering the island. The New York Times reported that he "fell fully seventy-five feet [23 m] like a dead weight, the parachute showing no inclination whatsoever to open at first", but he then descended "gracefully", landed hard, and limped away.[15]

The first and so far only death on Liberty Island occurred on May 13, 1929. The Times reported a witness as saying the man, later identified as Ralph Gleason, crawled out through one of the windows of the crown, turned around as if to return, "seemed to slip" and "shot downward, bouncing off the breasts of the statue in the plunge." The body landed on a patch of grass at the base, just a few feet from a workman who was mowing the grass.[16]

自由女神像
自由女神像（Statue of Liberty），又稱「自由照耀世界」（英語：Liberty Enlightening the World，法語：Liberté éclairant le monde），是法國在1876年贈送給美國的獨立100周年禮物，位於美國紐約市哈德遜河口附近。雕像所在的自由島是觀光重點。

法國著名雕塑家巴托爾迪歷時10年艱辛完成了雕像的雕塑工作，女神的外貌設計來源於雕塑家的母親，而女神高舉火炬的右手則是以雕塑家妻子的手臂為藍本。

自由女神穿著古希臘風格的服裝，所戴頭冠有象徵世界七大洲及七大洋的七道尖芒。女神右手高舉象徵自由的火炬，左手捧著刻有1776年7月4日的《獨立宣言》，腳下是打碎的手銬、腳鐐和鎖鏈。她象徵著自由、掙脫暴政的約束，在1886年10月28日落成並揭幕。雕像鍛鐵的內部結構是由後來建造了巴黎埃菲爾鐵塔的居斯塔夫·埃菲爾設計的。

自由女神像高46米，加基座為93米，重200多噸，是金屬鑄造，置於一座混凝土製的台基上。自由女神的底座是著名的約瑟夫·普利策籌集10萬美金建成的，現在的底座是一個美國移民史博物館。

1984年，自由女神像被列為世界文化遺產。

數據
搭建安裝雕像所用時間 3個半月
手的長度 5.5米
雕像的厚度 8米
雕像頭部可容納的人 40人數
雕像總重 (80噸銅 + 120噸鋼) 200噸
銅板的厚度 2.37毫米
從法國搬運到美國時所用的集裝箱數 210個
建造支出 343 000歐元
開工日期 1866年7月12日