retromind男装怎么样

❶ 有没有英文歌onemoretroble

Baby take off ur coat
Tell me all about ur day

And if u feel a little stressed

I can take the pain away

If there 's something that U r down about

Let me be ur confidence

I 'll give a perfect medicine

So come on and drag me up

And I know sometimes

U R gonna be a little wife *
But I promise

I 'll be there when u get home

Let me sing ya to sleep
I 'ma sing ya to sleep

Lay ur head on the pillow

Let me sing ya to sleep
I 'ma sing ya to sleep

Baby let me ease ur mind
I 'ma sing ya like ...nah ~~~la ~~

Nah ~~~

Let me sing ya like ....nah ~~~la ~~

Nah ~~~

Forget about the ninety-five

Pop bottle of shot of night*

We can watch a little TV

And left the whole night awake *

If there 's something that is on ur mind
We can leave it all behind

Tonight we 'll be on and get away *

Just two of us

And I know sometimes
U're gonna feel like give it up
But together we will make it through the day

And I 'll sing ya ,I 'll sing ya to sleep
I 'ma sing ya to sleep

Lay ur head on the pillow 'll sing ya to sleep
I 'ma sing ya to sleep
I 'ma sing ya to sleep
Baby let me ease ur mind

Sing me like ..nah ...la ~~
Nah ~

Let me sing ya like ..nah ...la~~

Nah ~

U can lay down by my side
I will hold u tight

Never ever ever let u go

Put ur worry and sad aside and I 'ma make it done alright *
Baby let me ease ur mind

If u got someone that u love like ###U think suit a bit *
Tell 'em that u love a real peace

And if u got someone that u love ###a bit

Tell 'em that u love a ...
'Cuz I 'ma sing ya ,I'ma sing ya to sleep
I 'ma sing ya to sleep
Lay ur head on the pillow
Let me sing ya to sleep

I 'ma sing ya to sleep

Baby let me ease ur mind

Let me sing ya like nahh..la~~
Nah

Let me sing ya like ...nah
Nah

❷ —— I hope you won"t mind me point your mistake. ——______________________

never mind
it's all right
that's ok

❸ retromind是什么档口

排当”被引进到民间，成为简易、廉价、大众消费的形式。由于经常设在街边，摆有大量桌椅，同时广东人常称摊位为“档”或“档口”，也进而转变为“排档”了。

❹ 木九十眼镜是mind in 日本吗 还是就借个日本牌子 其实是中国做的求此品牌详细说明

木九十和佐川藤井一样，借个日本牌子，其实是广东做的，不过款式和做工确实不错，价格也不贵，上海有专门卖这样眼镜的连锁店，比如YOOFACE时尚眼镜坊，有官网的

❺ 请问研究生考试复试英语听力口语，怎么复习

复试面试一般包括综合面试，专业课相关知识面试，综合面试里也是有英语部分的，有的学校先进行英语听力测试，然后在综合面试里顺便考察了英语口语。部分院校和专业，像医学类，还会涉及实操考察。
考研复试英语部分的口语和听力对很多人来说是有难度的，因此要提前做好备考准备，我们有安排关于复试提升英语口语听力的小课大家可以去官网查看获取方式。
关于考研复试英语应该如何备考，下面分享一些方法经验给大家：

1.口语考查要点
复试口语主要考查的是Fluency and coherence(流利与连贯性)，Pronunciation(语
音)，Lexical
resources(词汇量)，和Grammaticalrange(语法)这四个方面。换言之，正确的语音和语调，词汇和语法的准确和灵活性，话语的内容及流利度以及互动交流的能力是整个面试环节中在表述时要注意到的要点。
面试老师在评价成绩时一般分为四个级别：
A.优秀(能用外语就指定的话题进行口头交流，基本没有困难);
B.良好(能用外语就指定的题材进行口头交流，虽有些困，但不影响交流);
C.及格(能用外语就指定的话题进行简单的口头交流);
D.不及格(不具有口头表达能力)
从上面的评价级别来看，复试口语在考查上相对来讲不是特别苛刻。也就是说，面试老师不会太为难考生。
考研英语口语：经典面试问题总结
考研英语面试中，在自我介绍完结束后，老师就会开始问你问题。在回答过程中要结合自己的经历和见解来准备答案，让自己回答的问题和整个的自我介绍融为一个整体。在每一年的面试中都会有很多相同的问题，这些问题看起来很平常，却有很多陷阱，一不小心就会被考官抓主“小辫子”了。回答这些常见的看起来很平常的问题，也是要有技巧的。
2.听力考试模式
通过分析多所高校历年的复试模式，并结合各高校听力复试命题方式与特点，可以将听力复试分为四种典型模式
(1)听力半主观题为主
这一模式的听力题型与2002-2004一直采用的考研题型相似，即以半主观题为主，题型包括填表题和简答题。
(2)听力客观题为主
此模式的特点是听力题型主要采用大学英语四六级考试的听力题型，以客观题为主，题型主要包括短对话，长对话，短文理解等。
(3)听说一体
与前两种模式相比较，这一模式最大的不同在于听力和口语围绕同一材料进行，即让考生先听一段录音材料或由考官阅读一段材料，要求考生在掌握此材料的基础上进行口语交谈。由于考官所提问题与该材料相关，所以还要求考生在理解材料的基础上进行必要的思考，发表自己的观点。如果听不懂录音或朗读材料，则会影响口语成绩。
(4)不考听力
大纲改革之后，各招生院校在考试形式方面有了很大的自主决策权。就听力测试而言，部分院校并不作单独测试，这类院校在面试环节以口试为主，综合考查考生的听说能力。
英语听力部分，大多数学校都以现有的成型考试为参考。考生在准备听力复试的过程中，对于现有的成熟英语考试的听力部分一定要重视，比如六级听力、托福听力和雅思听力，在复习时可以有针对性地做一些六级或托福听力或雅思听力的试题。平时大量听力练习的空隙，觉得做题枯燥了，收听一下英语新闻，看看发音清晰的英文影片，在放松欣赏的同时又培养了语感，可谓一举两得。

❻ Retro的《Beat It》 歌词

歌曲名:Beat It
歌手:Retro
专辑:Mastercuts Lifestyle Presents Nu Soul Jazz

BoA - Nan (beat it!)
Hangsang nor guriwohedon nur nunmur punidon
ne chorahejin mosubur bwasso
ijenun doisang noui dwie issodon
gute nega anya
gakum shigun norur darmaborin
ne mosubi nar himrge hejiman
monge byonhesso ije doisang nan
nimosub jocha to oruji anha
Nan~ nan noui nunbiddo nan noui hyangido
nan mo jiwosso donun dagaoryo hajima
ijen arsu isso nan niga obnun sesangdo
hengboghar su idangor (nan ijen)
Oren shigani hullodo nar borsun obso nan
imi byonheboryosso
gakumshigun niga namgigo gan
uri chuogi nar himrge hejiman
monge byonhesso gu chuog jochado
ne giogsogeso ijyojirkoya
Nan~ nan noui nunbiddo nan noui hyangido
nan mo jiwosso donun dagaoryo hajima
ijen arsu isso nan niga obnun sesangdo
hengboghar su idangor (nan ijen)
Nan~ nan noui nunbiddo nan noui hyangido
nan mo jiwosso donun dagaoryo hajima
ijen arsu isso nan niga obnun sesangdo
hengboghar su idangor (nan ijen)
ooh ooh baby! I want you back
and all of that still ride high
when I catch a contact
never mind what I said here to find my way back
from the dead oh how your groove
still lingers bob my head to your cruves
to the touch of your fingers
I be this here rap singer with one last beath
left to bring her back
I'm knowing the odds be stacked
but ain't no doubt we're still a match
Nan~ nan noui nunbiddo nan noui hyangido
nan mo jiwosso donun dagaoryo hajima
ijen arsu isso nan niga obnun sesangdo
hengboghar su idangor (nan ijen)

http://music..com/song/7874835

❼ rocoretro是哪里的牌子

ROTHCO这个牌子是来自韩国的一个品牌。

相信大家都不陌生，在韩国年轻人可以说是人手一条了，泫雅也穿过，ROTHCO，成立于1953年，50年来一直致力于户外装备产品的研制与开发。该公司的产品一直以质优价廉，快速的运输服务而被广大爱好者所喜爱。

1990年该公司产品首次登陆我国，是进入大陆第一个知名户外产品品牌。ROTHCO是美国户外产品的最大批发供应商。

在所有全方位服务的户外用品供应商中，只有ROTHCO提供超过3300种特殊用途和户外产品，ROTHCO有各种类型产品，例如安全类、户外类、屏幕打印、经销制服、时尚产品运动装商店。

近五十年来，ROTHCO主要服务于美国独立的多功能户外服饰的转让商店，但近几年来该公司已经将客户及产品群扩大，包括了很多运动休闲装，男装的，女装的，童装的，且25%的销售已扩及到海外客户。

公司创立伊始，主要是经营美军战后剩余物资的批发业务，一年后，随着业务的增加，创始人的儿子霍华德• 松贝里(Howard Somberg)随即加入了公司的管理层，可以说，Rothco是一个典型的家族产业。

❽ 自由女神像的起源，来历等故事，英文如何翻译的

Statue of Liberty
Liberty Enlightening the World (La liberté éclairant le monde), known more commonly as the Statue of Liberty, is a statue given to the United States by France in 1885, standing at Liberty Island in the mouth of the Hudson River in New York Harbor as a welcome to all visitors, immigrants, and returning Americans. The copper statue, dedicated on October 28, 1886, commemorates the centennial of the United States and is a gesture of friendship between the two nations. The sculptor was Frederic Auguste Bartholdi. Alexandre Gustave Eiffel, the designer of the Eiffel Tower, engineered the internal structure. Eugène Viollet-le-Duc was responsible for the choice of copper in the statue's construction and adoption of the Repoussé technique.

The statue depicts a woman, standing upright, dressed in a flowing robe and a spiked crown, holding a stone tablet close to her body in her left hand and a flaming torch high in her right hand. The statue is made of verdigris copper with the exception of the flame of the torch, which is coated in gold leaf. It stands atop a rectangular stonework pedestal, itself on an irregular eleven-pointed star foundation. The statue is 151 feet, 1 inch tall, with the foundation adding another 154 feet. The tablet contains the text "July IV MDCCLXXVI", commemorating the date of the United States Declaration of Independence. The interior of the pedestal contains a bronze plaque inscribed with the poem The New Colossus by Emma Lazarus.

The Statue of Liberty is one of the most recognizable icons of the U.S. worldwide,[1] and, in a more general sense, represents liberty and escape from oppression. The Statue of Liberty was, from 1886 until the Jet age, often the first glimpse of the United States for millions of immigrants after ocean voyages from Europe. In terms of visual impact, the Statue of Liberty appears to draw inspiration from il Sancarlone or the Colossus of Rhodes.

History
Discussions in France over a suitable gift to the United States to mark the Centennial of the American Declaration of Independence were headed by the politician and sympathetic writer of the history of the United States, Édouard René Lefèvre de Laboulaye. French sculptor Frederic Auguste Bartholdi was commissioned to design a sculpture with the year 1876 in mind for completion. The idea for the commemorative gift then grew out of the political turmoil which was shaking France at the time. The French Third Republic was still considered as a "temporary" arrangement by many, who wished a return to Monarchism, or to some form of constitutional authoritarianism which they had known under Napoleon. The idea of giving a colossal representation of republican virtues to a "sister" republic across the sea served as a focus for the republican cause against other politicians.

Various sources cite different models for the face of the statue. One indicated the then-recently widowed Isabella Eugenie Boyer, the wife of Isaac Singer, the sewing-machine instrialist. "She was rid of the uncouth presence of her husband, who had left her with only his most socially desirable attributes: his fortune and... his children. She was, from the beginning of her career in Paris, a well-known figure. As the good-looking French widow of an American instrialist she was called upon to be Bartholdi's model for the Statue of Liberty." [2] Another source believed that the "stern face" belonged to Bartholdi's mother, Charlotte Bartholdi (1801-1891), with whom he was very close. [3] National Geographic magazine also pointed to his mother, noting that Bartholdi never denied nor explained the resemblance. [4] The first model, on a small scale, was built in 1870. This first statue is now in the Jardin Luxembourg in Paris.

While in a visit to Egypt that was to shift his artistic perspective from simply grand to colossal, Bartholdi was inspired by the project of Suez Canal which was being undertaken by Count Ferdinand de Lesseps who later became a life-long friend to him. He envisioned a giant lighthouse standing at the entrance to Suez Canal and drew plans for it. It would be patterned after the Roman goddess Libertas, modified to resemble a robed Egyptian peasant, a fallaha, with light beaming out from both a headband and a torch thrust dramatically upward into the skies. Bartholdi presented his plans to the Egyptian Khediev, Isma'il Pasha, in 1867 and, with revisions, again in 1869, but the project was never commissioned.[5], [6]

It was agreed upon that in a joint effort the American people were to build the base, and the French people were responsible for the Statue and its assembly in the United States. However, lack of funds was a problem on both sides of the Atlantic. In France, public fees, various forms of entertainment, and a lottery were among the methods used to raise the 2,250,000 francs. In the United States, benefit theatrical events, art exhibitions, auctions and prize fights assisted in providing needed funds. Meanwhile in France, Bartholdi required the assistance of an engineer to address structural issues associated with designing such a colossal copper sculpture. Gustave Eiffel (designer of the Eiffel Tower) was commissioned to design the massive iron pylon and secondary skeletal framework which allows the Statue's copper skin to move independently yet stand upright. Eiffel delegated the detailed work to his trusted structural engineer, Maurice Koechlin.

On June 30, 1878, at the Paris Exposition, the completed head of the statue was showcased in the garden of the Trocadéro palace, while other pieces were on display in the Champs de Mars.

Back in America, the site, authorized in New York Harbor by Act of Congress, 1877, was selected by General William Tecumseh Sherman, who settled on Bartholdi's own choice, then known as Bedloe's Island, where there was already an early 19th century star-shaped fortification.

Bartholdi's design patentOn February 18, 1879, Bartholdi was granted a design patent, U.S. Patent D11023, on "a statue representing Liberty enlightening the world, the same consisting, essentially, of the draped female figure, with one arm upraised, bearing a torch, and while the other holds an inscribed tablet, and having upon the head a diadem, substantially as set forth." The patent described the head as having "classical, yet severe and calm, features," noted that the body is "thrown slightly over to the left so as to gravitate upon the left leg, the whole figure thus being in equilibrium," and covered representations in "any manner known to the glyptic art in the form of a statue or statuette, or in alto-relievo or bass-relief, in metal, stone, terra-cotta, plaster-of-paris, or other plastic composition."[7]

Fundraising for the pedestal, led by William M. Evarts, was going slowly, so Joseph Pulitzer (who established the Pulitzer Prize) opened up the editorial pages of his newspaper, The World, to support the fund raising effort. Pulitzer used his newspaper to criticize both the rich, who had failed to finance the pedestal construction, and the middle class who were content to rely upon the wealthy to provide the funds[citation needed]. Pulitzer's campaign of harsh criticism was successful in motivating the people of America to donate. (It also promoted his newspaper, which purportedly added ~50,000 subscribers in the course of the statue campaign effort.)

Financing for the pedestal, designed by American architect Richard Morris Hunt, was completed in August 1884. The cornerstone was laid on August 5, and pedestal construction was finished on April 22, 1886. When the last stone of the pedestal was swung into place the masons reached into their pockets and showered into the mortar a collection of silver coins.

Built into the pedestal's massive masonry are two sets of four iron girders, connected by iron tie beams that are carried up to become part of Eiffel's framework for the statue itself. Thus Liberty is integral with her pedestal.

The Statue was completed in France in July, 1884 and arrived in New York Harbor on June 17, 1885 on board the French frigate Isere. To prepare for transit, the Statue was reced to 350 indivial pieces and packed in 214 crates. (The right arm and the torch, which were completed earlier, had been exhibited at the Centennial Exposition in Philadelphia, Pennsylvania in 1876, and thereafter at Madison Square in New York City.) The Statue was re-assembled on her new pedestal in four months' time. On October 28, 1886, the Statue of Liberty was dedicated by President Grover Cleveland in front of thousands of spectators. (Ironically, it was Cleveland who, as Governor of the State of New York, had earlier vetoed a bill by the New York legislature to contribute $50,000 to the building of the pedestal.) [8] In any event, she was a centennial gift ten years belated.

The Statue of Liberty was a real lighthouse from 1886 to 1902 ([2] [3]). At that time the US Lighthouse board was responsible for its operation. In fact there was a lighthouse keeper and the electric light could be seen for 24 miles (39 km) at sea. There was an electric plant on the island to generate power for the light.

In 1916, the Black Tom Explosion caused $100,000 worth of damage to the statue, embedding shrapnel and eventually leading to the closing of the torch to visitors. The same year, Gutzon Borglum, sculptor of Mount Rushmore, modified the original copper torch by cutting away most of the copper in the flame, retrofitting glass panes and installing an internal light[citation needed]. After these modifications, the torch severely leaked rainwater and snowmelt, accelerating corrosion inside the statue. President Franklin D. Roosevelt rededicated the Statue of Liberty on its 50th anniversary (October 28, 1936).

As with all historic areas administered by the National Park Service, Statue of Liberty National Monument, along with Ellis Island and Liberty Island, was listed on the National Register of Historic Places on October 15, 1966[citation needed].

In 1984, the Statue of Liberty was added to the World Heritage List. [9]

[edit] Origin of the copper
Historical records make no mention of the source of the copper used in the Statue of Liberty. In the village of Visnes in the municipality of Karmøy, Norway, tradition holds that the copper came from the French-owned Visnes Mine.[10][11] Ore from this mine, refined in France and Belgium, was a significant source of European copper in the late nineteenth century. In 1985, Bell Laboratories used emission spectrography to compare samples of copper from the Visnes Mines and from the Statue of Liberty, found the spectrum of impurities to be very similar, and concluded that the evidence argued strongly for a Norwegian origin of the copper.

[edit] Liberty Centennial
This section does not cite its references or sources.
You can help Wikipedia by introcing appropriate citations.
The Statue of Liberty was one of the earliest beneficiaries of a cause marketing campaign. A 1983 promotion advertised that for each purchase made with an American Express card, American Express would contribute one penny to the renovation of the statue. The campaign generated contributions of $1.7 million to the Statute of Liberty restoration project. In 1984, the statue was closed so that a $62 million renovation could be performed for the statue's centennial. Chrysler chairman Lee Iacocca was appointed by President Reagan to head the commission overseeing the task (but was later dismissed "to avoid any question of conflict" of interest).[12] Workers erected scaffolding around the statue, obscuring it from public view until the rededication on July 4, 1986. Inside work began with workers using liquid nitrogen to remove seven layers of paint applied to the interior of the copper skin over the decades. That left two layers of tar originally applied to plug leaks and prevent corrosion. Blasting with baking soda removed the tar without further damaging the copper. Larger holes in the copper skin had edges smoothed then mated with new copper patches.[citation needed]

Each of the 1,350 shaped iron ribs backing the skin had to be removed and replaced. The iron had experienced galvanic corrosion wherever it contacted the copper skin, losing up to 50% of its thickness. Bartholdi had anticipated the problem and used an asbestos/pitch combination to separate the metals, but the insulation had worn away decades before. New bars of stainless steel bent into matching shapes replaced the iron bars, with Teflon film separating them from the skin for further insulation and friction rection. Liquid nitrogen was again introced to parts of the copper skin in a cryogenics process which was treated by a (now defunct) Michigan company called CryoTech[citation needed] to ensure certain indivial parts of the statue were strengthened and would last longer after installation.

The internal structure of the upraised right arm was reworked. The statue was erected with the arm offset 18" (0.46 m) to the right and forward of Eiffel's central frame, while the head was offset 24" (0.61 m) to the left, which compromised the framework. Theory held that Bartholdi made the modification without Eiffel's involvement after seeing the arm and head were too close. Engineers considered reinforcements made in 1932 insufficient and added diagonal bracing in 1984 and 1986 to make the arm structurally sound.

[edit] New Torch

Original torch, replaced in 1986.A new torch replaced the original, which was deemed beyond repair because of the extensive 1916 modifications. The 1886 torch is now located in the monument's lobby museum. The new torch has gold plating applied to the exterior of the "flame," which is illuminated by external lamps on the surrounding balcony platform. Upgraded climate control systems and two elevators (one to the top of the pedestal and a small emergency elevator to the crown) were added. The Statue of Liberty was reopened to the public on July 5, 1986.

[edit] After 9/11
Until September 11, 2001, the interior of the statue was open to visitors. They would arrive by ferry and could climb the circular single-file stairs (limited by the available space) inside the metallic statue, exposed to the sun out in the harbor (the interior reaching extreme temperatures, particularly in summer months), and about 30 people at a time could fit up into her crown. This provided a broad view of New York Harbor (she faces the ocean, and France) through 25 windows, the largest approximately 18" (46 cm) in height. The view did not, therefore, include the skyline of New York City, however. The wait outside regularly exceeded 3 hours, excluding the wait for ferries and ferry tickets.

Liberty Island closed on September 11, 2001; the islands reopened in December, and the statue itself reopened on August 3, 2004. Currently, the museum and ten-story pedestal are open for visitation. The interior of the statue remains closed, although a glass ceiling in the pedestal allows for views of Eiffel's iron framework.

Visitors to Liberty Island and the Statue are currently subject to restrictions, including personal searches similar to the security found in airports.

That was not the first time, however, that the Statue of Liberty had been threatened by terrorism. On February 18, 1965, the Federal Bureau of Investigation (FBI) announced it had uncovered a plot by three commandos from the Black Liberation Front, who were connected to Cuba, and a female co-conspirator from Montreal seeking independence for Quebec from Canada, who were sent to destroy the statue and at least two other national shrines - the Liberty Bell in Philadelphia and the Washington Monument in Washington, D.C.

In June 2006, a bill, S. 3597, was proposed in Congress which, if approved, could re-open the crown and interior of the Statue of Liberty to visitors. Approval or disapproval of this bill will probably occur in early- to mid-2007.[13]

On August 9, 2006 National Park Service Director Fran Mainella, in a letter to Congressman Anthony Weiner of New York stated that the crown and interior of the statue would remain closed indefinitely. The letter stated that "the current access patterns reflect a responsible management strategy in the best interests of all our visitors.".[14]

[edit] Jumps
At 2:45 p.m. on February 2, 1912, steeplejack Frederick R. Law successfully performed a parachute jump from the observation platform surrounding the torch. It was done with the permission of the army captain administering the island. The New York Times reported that he "fell fully seventy-five feet [23 m] like a dead weight, the parachute showing no inclination whatsoever to open at first", but he then descended "gracefully", landed hard, and limped away.[15]

The first and so far only death on Liberty Island occurred on May 13, 1929. The Times reported a witness as saying the man, later identified as Ralph Gleason, crawled out through one of the windows of the crown, turned around as if to return, "seemed to slip" and "shot downward, bouncing off the breasts of the statue in the plunge." The body landed on a patch of grass at the base, just a few feet from a workman who was mowing the grass.[16]

自由女神像
自由女神像（Statue of Liberty），又称“自由照耀世界”（英语：Liberty Enlightening the World，法语：Liberté éclairant le monde），是法国在1876年赠送给美国的独立100周年礼物，位于美国纽约市哈德逊河口附近。雕像所在的自由岛是观光重点。

法国着名雕塑家巴托尔迪历时10年艰辛完成了雕像的雕塑工作，女神的外貌设计来源于雕塑家的母亲，而女神高举火炬的右手则是以雕塑家妻子的手臂为蓝本。

自由女神穿着古希腊风格的服装，所戴头冠有象征世界七大洲及七大洋的七道尖芒。女神右手高举象征自由的火炬，左手捧着刻有1776年7月4日的《独立宣言》，脚下是打碎的手铐、脚镣和锁链。她象征着自由、挣脱暴政的约束，在1886年10月28日落成并揭幕。雕像锻铁的内部结构是由后来建造了巴黎埃菲尔铁塔的居斯塔夫·埃菲尔设计的。

自由女神像高46米，加基座为93米，重200多吨，是金属铸造，置于一座混凝土制的台基上。自由女神的底座是着名的约瑟夫·普利策筹集10万美金建成的，现在的底座是一个美国移民史博物馆。

1984年，自由女神像被列为世界文化遗产。

数据
搭建安装雕像所用时间 3个半月
手的长度 5.5米
雕像的厚度 8米
雕像头部可容纳的人 40人数
雕像总重 (80吨铜 + 120吨钢) 200吨
铜板的厚度 2.37毫米
从法国搬运到美国时所用的集装箱数 210个
建造支出 343 000欧元
开工日期 1866年7月12日